The recorder for the DJI Mic 3 in Quadraphonic mode: every transmitter on its own track, on your iPhone or iPad. Hit Record, lock the phone, put it in your pocket.


Anything that sends separate channels over USB-C gets its own meter and its own track. The number is how many tracks reach the iPhone or iPad.
DJI, Hollyland, Sony, Zoom, Tascam, MOTU, RØDE, Sennheiser, Shure and Saramonic are their owners' trademarks. CamPlot is not affiliated with or endorsed by them.
Plug in, check, slate, roll. These are the real screens.
Tap the input and the Receiver screen shows what's plugged in, how many channels reach the phone, and a checklist for that brand.

Tap Slate and the phone beeps, fills the screen with a card to hold up to the cameras, and drops a marker in the file at that exact moment.

Each take shows its slates, its size and a waveform for every mic. The file is saved every two seconds while it records.

Play a take back with every mic on its own lane. Mute or solo each one, scrub, and jump slate to slate.

Choose how each take is saved. Whatever you pick, the file carries the timecode, the take and every mic's name into the edit.

Tall meters on one side, the time and the record button on the other. Takes slide up over the top.

Unscripted, interviews, documentary, a podcast in a car: the phone records every mic on its own, and nothing short of a dead battery stops it.
One multitrack WAV per take, or a mono WAV for each mic. Fix one person's levels in the edit without touching anyone else.
Hit Record, lock the screen, put the phone away. Stopping takes a deliberate hold, so a stray tap can't end a take.
The file is saved every two seconds. If the battery dies or the app is closed, the take is there the next time you open it.
It shows whether a call could ring through before you roll. If one does, the take so far is saved, the phone buzzes, and it carries on as the next part.
A sharp beep the cameras hear, a flash card to hold up, and a marker in the file at that exact moment.
Broadcast WAV with time-of-day timecode, the take number and every mic's name, so the edit lines takes up and labels the tracks.
Host, Guest, Room: tap a meter and type. It works mid-take, and the name goes into the file being recorded.
Every track as a lane you can scrub, with mute and solo on each mic and a jump from slate to slate.
Share a take by AirDrop, Mail or Files, or find every WAV in the Files app under Recorder.
On the DJI Mic 3 receiver, choose the four-channel mode. Turn on each transmitter's own backup recording while you're there.
USB-C, straight in. Four meters appear, one for each transmitter. Tap each meter to name the person wearing it.
Turn on Airplane Mode, hit Record, hold the slate up to the cameras, lock the phone. Hold the button to stop.
Set the DJI Mic 3 receiver to Quadraphonic mode, plug it into the iPhone's USB-C port and open CamPlot Recorder. It asks iOS for every channel the receiver sends, shows a meter for each transmitter, and records each one as its own track: one four-track WAV, or four mono WAVs if you prefer.
Yes. Once you hit Record it keeps going with the screen locked and the phone in a pocket. Stopping takes a deliberate hold, and the file is saved every two seconds, so even a dead battery doesn't lose the take.
iOS lets a ringing call take the microphone from any app, so CamPlot Recorder tells you before you roll whether a call could get through, and shows you how to switch on Airplane Mode with Wi-Fi off. The receiver keeps working because it's plugged in. If a call does get through, everything so far is saved, the phone buzzes, and the take carries on as the next part.
Broadcast WAV at the receiver's sample rate (48 kHz on the DJI Mic 3), 24-bit or 32-bit float. Every file carries time-of-day timecode, the take number, each mic's name and a marker at every slate.
Every file is stamped with time-of-day timecode from the phone's clock, at the frame rate you choose. Reading the DJI Mic 3's own timecode is being tested; the transmitters' backup recordings carry the DJI's timecode either way.
Yes, on any iPad with a USB-C port. The iPad gets its own layout, with tall meters on one side and the time and the record button on the other.
Not yet. DJI only lets its own DJI Mimo app and the receiver's screen change the Mic 3's settings. CamPlot Recorder shows a checklist of what to set on the receiver (Quadraphonic mode, backup recording on every transmitter, timecode) and a button to open DJI Mimo. Other brands work the same way.
Anything that sends separate channels over USB-C: the Hollyland Lark M3, Zoom H6essential, H8 and M4, Tascam Portacapture X8 and X6 and MOTU interfaces in USB audio mode. Two-channel systems like the RØDE Wireless PRO, Sennheiser Profile and DJI Mic 2 record both tracks.
CamPlot Recorder records every channel a USB-C device sends, each as its own track, so a receiver or recorder that sends four separate channels to a phone gets four tracks. It is tested with the DJI Mic 3 in Quadraphonic mode; the Hollyland Lark M3, the Sony ECM-W5 and recorders like the Zoom H6essential are supported in beta.
Camera apps record sound alongside a video file. CamPlot Recorder is audio only: no video eating the storage, every mic on its own named track, a slate marker you can sync to in the edit, timecode in every file, and it keeps recording with the screen locked and the phone in a pocket.
No. CamPlot Recorder is for iPhone and iPad with a USB-C port. CamPlot's other apps run on the web, Mac and Android.
It's coming soon to the App Store as a free download for iPhone and iPad. Recording is included with CamPlot Plus and CamPlot Max: start a free trial in the app, or sign in with the CamPlot account you already use for CamPlot Creator, the Viewfinder or the Calculators. See the plans on camplot.studio.
A free download for iPhone and iPad with USB-C. Start a free trial in the app, or sign in with the account you already use in Creator, Viewfinder and Calculators.
Built by a working director, for the takes that only happen once.